Showing posts with label cid reyes. Show all posts
Showing posts with label cid reyes. Show all posts

Friday, April 22, 2005

Cid Reyes: The Parallelism of Art & Women

Cid Reyes’ Demoiselles de Manille

"Cid Reyes, like a passionate lover, extols women to the heights with respect and adulation, and places them like goddesses in his aesthetics. His women are self-assured, oozing with dynamism on the surface of his canvas, bedecked with undefined forms and brilliant colors."

Buena Familia by Sid Reyes, Acrylic on Canvas, 2005
Buena Familia, Acrylic on Canvas

The essence of a woman transcends beyond space and time and like a seasoned wine, the older she gets the more she defines and completes the meaning and beauty of being woman. However, like men, she has her own conquest too, that is, to be constantly desired and adored rather than deserted like an object when youth and physical beauty wilt away.

Cid Reyes, like a passionate lover, extols women to the heights with respect and adulation, and places them like goddesses in his aesthetic creation. His women are self-assured, oozing with ineffable power on the surface of his canvas, bedecked with undefined forms and brilliant colors.

Departing from his whitish abstract paintings, Cid Reyes ingeniously combines figurative and abstract elements: the juxtaposition of female figure emerges as muse or goddess, more imposing than the brilliant and craggy surface of his canvas.

Equally thought-provoking is how he redefines the parallelisms of art, literally and figuratively, and the role of women in his aesthetics.

Tres Marias by Cid Reyes, Acrylic on Canvas, 2005
Tres Marias, Acrylic on Canvas

Here, his art raises a discursive proposition in redefining the role of women in our modern society apart from her domestic role as a mother, a wife or a daughter. A woman, for instance, is not confined to a limited function much as art is not restricted to a particular style or movement. Both have endless possibilities of becoming in what the Greek philosopher Aristotle posited in his “Act and Potency”.

At the outset, art transcends beyond space and time in as much as the role of a woman does. Art is inexhaustible, per se, but it is also limited within the realms of the artist’s creative visions. The more an artist discovers the uncharted bastion of creativity, the more he or she becomes.

In essence, it is the inexhaustible possibilities of art that makes the artist constantly evolve in the process of art-making as a woman does in her indispensable role in the post-modern society as career woman, a mother, a wife or a lover.

Poetic and metaphorical, the suite of Cid Reyes’ Demoiselles de Manille poignantly appeals to the sensual perception of the viewers, stimulating the human reason and emotion. It is metaphorical because it addresses the definition of women in the post-modern society; poetic because it reasserts the symbolic role of women within our culture and society.

Similarly, like the boundless possibilities of art and the unrestricted role of women, the artist’s quest for meaning and self-actualization goes beyond the mere functions as he relatively excels in all his endeavors

La Viuda, Unica Hija by Cid Reyes (Acrylic on Canvas, 2005)

La Viuda, Acrylic on Canvas Unica Hija, Acrylic on Canvas


As art critic and author of several art books, the man’s austerity and discipline to his multi-profession pursuits is amazingly extraordinary. Assuming different roles as executive in advertising, art writer, author and painter par excellence, elevate him to the status of a superhuman literally and figuratively.

How can the man be so creative in his art, write a regular art column on the daily paper, launch a coffee table book occasionally, and work full-time as an executive in one of the leading advertising agencies in the country?

As a painter, he is constantly contriving a fresh and dynamic expression of his art. The artist is restless until his creative power is exhausted on his canvas and, then, he starts all over again. His creative passion is more assertive though on the dynamic textures of his canvas than in the presence of this gentle and soft-spoken artist.

Equally compelling is his style of art writing and criticism, in which he masters the lucidity of inductive and deductive reasoning in a way that an ordinary person understands. In similar manner, occupying a higher position in the corporate world is both mentally and emotionally exhausting especially of one is sharing a responsibility of running the company.

The bottom line and the competitiveness in the business world lie on the competitiveness of the leaders and their moral responsibility in maintaining the quality of services to the client and to their employees.

Portrait of Cid Reyes by artist Camille Dela Rosa, Oil on Canvas, 2004.

Photo Courtesy of Camille Dela Rosa. Posted by
Hello

Cid Reyes, as the Vice President of an advertising agency, possesses the natural quality of a leader and goes out of his way by letting his subordinates come out their best creative outputs. He has his own style of leadership and his unique way of dealing with people resonates with his creative thinking.

Like the aesthetic quality of his art and writings, he infuses a creative style of management in his works, a unique quality that any corporate company should imbibe and practice.

Akin to the parallelisms between his art and his subject, the artist himself is not bracketed, in philosophical sense, to his facticity as an art critic or a painter or a corporate executive. He goes beyond all these labels and unveils himself to all the inexhaustible possibilities that a man can become within the span of his existence.

Cid Reyes is simply a creative artist of magnificent vision, a deep thinker that possesses the qualities of a Renaissance man.


© Danny Sillada

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Cover girl, Debutant by Cid Reyes Acrylic on Canvas 2005)

Cover Girl, Acrylic on Canvas Debutant, Acrylic on Canvas

Sunday, January 09, 2005

CID REYES: Nights in White Satin

nights in white satin
the vision of an insomniac

Photo by Jose A. Ibay. Graphic by Pia Layoso, 2004.Posted by Hello
“Periods of happiness are blank pages in it, for they are periods of harmony – periods when antithesis is in abeyance...”
German philosopher Hegel, Georg Wilhelm Friedrich (1770–1831)

A journey characterized by an insomniac’s dark passage, Cid has created masterpieces from inner visions, extinguishing his restive thoughts and passion to a more defined quest for artistic meaning.

His art emerges from within, to an unusual extent, and equally compelling as those written prose and philosophical essays by a Romanian philosopher E.M. Cioran, who suffered from the same nocturnal restlessness, and whose body of works are laden existential angst, but extolling the grandeur of life.

The inner vision of Cid Reyes searches its own light and reason amid its nocturnal environment। His inability to lull in dreams forces his mind and body to create a suite of riveting works, which he called – the Night Visions. And the images radiate and beckon from a distance defying the principles of po-mo (post-modern) art.

Vision II by Cid Reyes, Acrylic on Board, 2004

Photo by Danny Sillada, Copyright © 2004. Posted by Hello

While the contemporary generation of Filipino abstractionists tramp toward the Oriental and Western concepts of abstract art, Cid Reyes traverses, though still within the vein of abstraction, in the opposite direction - the antithesis of bleak and darkened surface of po-mo abstractionism.

By principle, Abstractionism is a deconstructive art movement, which emerges from the ugly face of World War II, as a protest to the angst-laden aesthetics of the period. From there, it evolves and continues to mutate in the present in a world of virtual reality and technologism.

In essence, the post-modern art today is relatively remote and distant. It alienates man from a bleak reality, a haunting reality reflective of his ambivalent and fast-changing society: bold, radical and, at times, irrational.

Cid Reyes bridges the gap of that alienation by bringing back the consciousness of his viewers to the metaphysical meaning of color, the color of white symbolizing the sense of wonder, innocence and beauty.
Mixed Media on Canvas, 2004

Photo by Jose A. Ibay. Posted by
Hello

The whiteness of his painting epitomizes the essence of purity and harmony on a pallid plane richer with forms and textures. His canvas is like a satin night without darkness, a night without walls or barriers, like the wings of angels reaching out to the laden souls with gentleness and compassion.

As the foremost art critic and top executive in the leading advertising agency in the country, Cid Reyes is a highly respected painter among his contemporaries. His creative output as an artist is equally comparable to his achievements and contributions to Philippine art as critic and historian.

The development of his art is inherent as a gift and its fruition is borne out of necessity from those restive nights, which he transmogrifies into a more meaningful aesthetic pursuit.

Similar to the Biblical account of creation where God created light from the void of darkness, Cid Reyes in his dark sleepless nights, assiduously labored and delivered the sensual and magical beauty of his creation.

Portrait of Cid Reyes by Camille Dela Rosa
Oil on Canvas, 2004

Photo Courtesy of Camille Dela Rosa. Posted by
Hello

Curious eyes could dither and linger behind those mystical pallid textures and colors; how one hungers for more within the boundless surface of his canvas without being too intrusive in his nocturnal passage from darkness to light.

Cid Reyes' 10th One-Man Show, The Crucible गैलरी SM Mgamall A, Level 4, Mandaluyomg City, Philippines


Photo by Jose A. Ibay. Graphic by Pia Layoso, 2004. Posted by Hello
© Danny Sillada